Greetings from Doomsday: Malagueña

Good morning and welcome to the end.

You wake up to a trail of garlic cloves running down your staircase and no one will cop to putting it there. You’re filled with an ineffable sense of dread. You don’t know if the garlic was put in place to keep the vampires out or to ensure that you were kept in. Then you wake up and realize it was a dream and that monsters don’t exist in the form of bloodsucking ghouls.

The vampires in your life are emotional vampires, they’re the relatives who guilt you into donating to a charity that routinely misleads donors about how much of their charitable contributions actually go to those in need. These vampires are self-serving, passive-aggressive vampires, the kind of ghouls that Skype to say that you look like you need more color and that you should get some sun.

The vampires are everywhere these days, boys and girls. They’re the frothy-mouthed shit-heels who refuse to wear face masks and insist that COVID-19 is a “libtard hoax.” They do not fear the Morning Star like their ancestors and they aren’t modest enough to take the form of a bat. These revenants are shameless, myopic carnivores who feed on fear and demand special treatment.

You see them standing in line at the Post Office, openly ignoring signage that tells them to keep six feet between themselves and their fellow humans. They’re the old, hunched savages whose grills are slick with a film of sweat and stupidity and whose hands are perpetually restless. When they’re not hustling their balls they’re flailing ever closer to your comfort zone, hacking and coughing and assuring you that they’re not sick … but they’ve been sick their whole lives. Ignorance is a disease and it’s bred right into these blood simple morons.

The good news is, you’ve got the power of Horror on your side. Vampires cannot enter your home if they haven’t been invited. They can brag, bitch and bully their way into a big box store, but the manager won’t let them have more than their fair share of toilet paper. They can act as entitled as they want, but persistence repels them like a crucifix to the solar plexus.

“I’m sorry, sir, but these are the rules. There is a limit of one per customer.”

“I’ve been shopping at this shithole since you was swimming around in your daddy’s balls! I don’t need to take your shit!”

“Sir, there’s no need to be rude. I’m just following company policy.”

“Yeah, yeah.”

They slink away like the wounded hellhounds they are, barking obscenities at themselves as they waddle back to their shitty American-made automobiles and concentrate their fear-based hatred in other directions.

Vampires cannot enter if uninvited.

Outside they’re holding black delivery drivers hostage in gated communities for doing their jobs. The King Vampire is dreaming up conspiracy theories and encouraging the public to mainline household cleaners.

Inside you’re making music with friends from other countries. Outside the party line is blaming China. Inside you’re learning how to knit face masks for the homeless. Outside they’re beating black men about the skull and waving their batons at bystanders. Inside you’re taking an online course in misconduct law.

Even horror movies have happy endings sometimes.

Outside they’re going without masks and cutting each other off in traffic. In here we’re smoking on some Boost 20:1, riding high and drinking in the mellifluous licks of Jose Feliciano. Inside is good for now, inside here was always good. Hold your partner close because your dance card is clear and it’s time to boogie on the home front.

Greetings from Doomsday: “The Raving, Flailing Wingnut”

It’s a damp, dreary morning in the bloated intestine of post-Gatsby Long Island and I’m motoring down Wellwood Avenue, past boarded-up storefronts, bound for The Botanist, New York’s finest medical marijuana dispensary. CSNY’s “Teach Your Children” is spewing from my tired car radio and I’m smelling things I haven’t smelled in years.

The air is no longer choked. The stale fart stench of Swindlehurst factories has been replaced by a fresh scent, an earthy aroma that is inviting, until I ponder its meaning. If you’ve ever spent time in the wilderness you recognize the fragrance at once—the grass is screaming and the trees are being flayed for fretwork in one of Suffolk County’s many lumberyards. Essential businesses and all of that.

I only have one mask and four gloves to spare on this trip, so I’ll have to make it count. I take the Huntington off-ramp and gun it down Broadhollow Road into Sweet Hollow Country.

This is where the urban legends live, where a whorish teenage specter named Bloody Mary is said to appear when you shine your light on her grave. It’s where the gates once read, “Life, How Short.” It’s the home of Mount Misery and curious sightings of Men in Black.

Today, I will not be pulled over by some mythical ghost cop who’s missing the back of his skull. I will not see any teenage whores hanging from an overpass or meet an enigmatic gypsy dressed in crimson.

As “Teach Your Children” is replaced by Marilyn Manson’s “Deep Six,” I zip past what remains of the Walmart entrance, now a heavily barricaded, steel-enforced complex cloistered with cars and caravans of people in surgical masks and handkerchiefs. Some of them are zigzagging between mini-vans with shopping carts overflowing with paper towels and charcoal briquettes, their body language as screwed as their eyes.

I think of the lyrics still lingering from Crosby, Stills, Nash & Young’s classic tune and I wonder what these people will tell their children when they recount this bugfuck period in our history. Will they mention the woman who sunk her teeth into an elderly man before kicking the dick out of him for 24 rolls of toilet paper? or the man who murdered a dude for the same?

Probably they’ll omit the fact that every American could have had a roll of shit paper just based on what Walmart sold to a select number of people in one 5-day period.

No doubt there are a lot of details we won’t bother to rehash, if for no other reason than they demonstrate something we aren’t ready to admit.

It’s a bizarre world, and we are bizarre people.

It’s been almost 50 days since Governor Cuomo signed the PAUSE Act in New York State and guys in big rigs still pull up to 7-Elevens without masks or gloves, smirking at their masked counterparts as they hustle their balls and sidle up to the counter to buy lottery tickets and cans of Skoal.

Some persist in believing that 5G is responsible for the novel coronavirus … despite living more than 200 miles from a 5G tower. Many insist that this is all a “libtard” hoax to control the masses while other people are robbed of closure when a loved one succumbs to the illness and they are forbidden from attending funeral services. The victims of this thing are dumped into the ground like snitches in ditches, denied a proper burial. And this isn’t even the weirdest shit we’ve seen.

A 32-year old mother of two drinks splooge smoothies containing her boyfriend’s jizz because she thinks it is fortifying her immune system against COVID-19. Aaaaand this just in: Coronavirus traces have been found in the spunk of survivors who were “severely infected.” This does not bode well for Baby Batter Betty of Aylesbury.

A strange bacterium is killing so many olive trees across Italy, Greece and Spain that Southern Europe might lose more than $20 billion.

Call me funny, but if I can’t get a decent pasta dish in the future because of an olive oil shortage, I may just end up like that lady in the Walmart parking lot, nipping at the ankles of some septuagenarian and beating the balls off a stranger for some Aglio e Olio.

The thought of it is enough to get my pressure up, which is hardly uncommon for an overweight 37-year old drunk with a serious pasta addiction. But you’re at risk too, buddy. That’s right!

No, the kids aren’t okay. Toddlers all across the country are covered in welts and hideous rashes from this thing and the millennials are not impervious. Otherwise healthy thirty-somethings are stroking out, surely from the stress of quarantine as much as the virus itself. Happy Hypoxics (dig that adorable nickname!) who should be gasping or “seizing” are strutting around like they just pounded a six pack of Monster Energy drinks.

If COVID Toe doesn’t get you then you may just drop like a sack of fruit while coping with price gouging. And who could blame you, really? It’s not just Generation Wuss that’s incapable of withstanding these batshit times.

Roy Horn of Siegfried & Roy has croaked. The dude who got ate by a giant tiger and survived has succumbed to ‘Rona. Stick that in your skeptic’s spliff and smoke it! Even the Architect of Rock and Roll, Little Richard, has sung, “Goodnight, Irene.”

As the great wicks are snuffed out and the hand sanitizer dries up, we’re left to do all that we can. Hunker down. It’s easier said than done, to be sure. You’ve seen the memes. “Can you blink quieter, you fucking cunt?”

We’re all of us losing our shit. And where there is shit there needs to be shit paper.

It’s like a stranger had a key, came inside of my mind

And moved all my things around.”

Ah, Marilyn. How right you are. Invasive thoughts burrow into one’s skull like tapeworms into soft tissue. If mortality isn’t on your mind right now then you probably don’t have one.

Earlier in the week, I had to make a run to 7-Eleven for disposable masks and coffee. On my way I passed a middle-aged woman in a soiled sweatsuit. She was flailing along Montauk Highway, cursing at someone who wasn’t there.

But of course, I thought.

Now I am the one cursing at all the Sunday drivers flooding the roads on this overcast morning as I make my way to The Botanist with the last of some Rainforest Clarity in my system. If it weren’t for clarity we’d all be setting fires by now, but as a wise cynic once told me, “Why burn when the whole world’s in ashes?”

That was in a different time, a simpler one. It was somewhere after the Y2K panic and before the Iraq War. The sage who spewed it was a crackhead and a known felon, but he was also a gentleman. By that, I mean he shared his drugs and his aphorisms if you were willing to sit through them. And if he spit when he talked, he was courteous enough to keep a wide berth.

The same cannot be said of the denizens of 2020. The Year of the Rat has brought us the Toilet Bowl Challenge, public spit attacks and unbridled gluttony. A man drove to 11 different Wendy’s locations twice in one day when he heard about their free 4-piece chicken nuggets. This tri-state excursion netted him 88 free nugs.

This story was presented in the mindlessly good-humored fashion typical of mainstream news. How quirky and quaint, right? And maybe it sounds pretty silly on the surface…until you think on it for a minute.

The post I came across included a photo of Skweezy Jibbs—the man’s all-too-appropriate Twitter handle—as well as his Tweet which reads, “Times is [sic] tough so when I heard Wendy’s was [sic] givin’ out free 4 piece nuggs today I knew I had to hustle. I hit every damn Wendy’s twice within 17 miles across 2 states. It took 5 hours but now we eatin’ free 4 [sic] a week.”

One look at the gristled face of this gnarly liquid shit, and the man panties draped about his bristly throat, perfectly illustrates the primitive avarice that our gut bug of a president has inspired if not outright encouraged.

This is ‘Merica and it’s great! It belongs to me and I gets mines and if you take everything for yourself and leave nothing in the cookie jar for the next dumb sumbitch? Well, that’s called winning, Loser!

I seem to have digressed somewhere along the way, perhaps as a result of contemplating this man’s photo which will almost certainly be the one used for campaign purposes when he runs for office in the future. I mean, nothing says American Resourcefulness like a neckbeard wearing a pair of dirty drawers as a face mask.

It isn’t hard to imagine this mugshot of a default pic becoming the face of American Politics or, at the very least, the cover shot on a textbook. This face is Amerika.

It’s the same grill as that demented, flailing woman in the soiled sweatsuit. I ponder this as I scurry out of The Botanist with my indica vape cartridges and lock myself in the relative safety of my ’99 Nissan Altima. And as I load the chamber of my brand-new Ccell ® Palm with revolutionary ceramic heating elements and aluminum alloy housing (Made in China, it’s worth mentioning), I alight on the greatest horror that I’ve faced today.

We are all that slobbering, raving lunatic you see marching along the street, flailing and cursing to themselves.

How can we help it?

Our loved ones have mastered the Art of Irritation while strangers have abandoned fundamental social cues, and it’s the first time in most of our lives where we’ve had to decide whether that extra wipe is worth the cost of running out of hand soap.

What’s worse, we’ve all but lost the industry that we rely on to distract us as reality looses a wet one on our chests. There are only so many stories to binge and only so many times you can hear about 90 Day Fiance: The Other Way before your brain turns to parfait and your tongue flops out.

As streaming services have shit the bed and gullible fools have fallen off cliffs in celebration of illusory freedom, Israel has been carefully coming up with a COVID antibody that will undoubtedly result in another Thousand Year War with Palestine. A cabal of obscenely moneyed Plutocrats will surely buy the rights to their development like that filthy rich dick weevil who owned the lost Wu-Tang album.

As we wait, more black lives are taken by the sort of individuals who always turn national crises into a real world sequel to The Monsters Are Due on Maple Street. In Georgia, a 25-year old man named Ahmaud Arbery was fatally shot by a father and son who tag-teamed his ass with a handgun and a shotgun … for jogging.

Many see this all as our status quo. Another pair of jingoistic hilljacks running down an unarmed black kid. Business as usual.

I see it as the latest in a series of events which confirm what some of us have long suspected—the earth would be better off without humans.

As I drove home with some fresh Rainforest Clarity and that earthy aroma smacked me in the face once again, I remembered that the grass is screaming and I smiled.

“Maybe the earth is finally getting ready to spit us out.”

Esto perpetua.

Predictions for the week ahead: Walmart employees will get hip to the book section in their store and learn how to fire their own boss. More Amazon executives will resign. A rise in temperatures and a consequent rise in alcohol poisonings, hand sanitizer poisonings and poisonous insects will occur.

Allergy sufferers will go to their physicians’ offices with the sniffles and be told to jerk off in cups. One hundred Coronababies will be conceived while at least fifty existing children will be traded for two-ply.

Monday will see the President declaring a luxury tax on Charmin and a ban on press photographers. The CDC’s top ground personnel will be fired and replaced by former members of America First Action and HFZ Capital Group.

The Lincoln Project will finds its signage vandalized to read The Lincoln Log Losers Club in gold spray paint. Jimmy Fallon will receive Trump’s nomination for the next Mark Twain Award on the same day that he’s caught strangling his youngest daughter to death on the Tonight Show – Home Edition.

Business as usual.

How Michel Houellebecq Introduced the Incel to Modern Literature

By Bob Freville

At 62, controversial French novelist Michel Houellebecq continues to rankle the literary community with his caustic post-modern novels, banal poetry, musical vanity projects and mundane photography.

For those unfamiliar with the author’s style, imagine Andrew Dice Clay if he was raised on a steady diet of hookers, Valium and Voltaire. His voice is that of the horny malcontent who is disgusted by the bondage of consumerism but enamored of a market that permits prostitution.

After years of being portrayed as a lecherous chain-smoking louse in hit piece after hit piece, it is rare to find Houellebecq suffering interviewers from the supposedly high-brow but always sensationalist media today. But his body of work continues to bloat with ballsy meditations on world religions and deliberately incendiary descriptions of the male sexual preoccupation.

In his last fiction book, 2015’s Submission, Houellebecq’s protagonist carries on sexual dalliances with his students at university. In one early passage, he writes, “If I broke up with these girls, it was more out of a sense of discouragement, of lassitude: I just didn’t feel up to maintaining a relationship, and I didn’t want to disappoint them or lead them on. Then over the course of the academic year I’d change my mind, owing to factors that were external and incidental—generally, a short skirt.”

While this and other references to sex in Submission may seem tame compared to passages from Houellebecq’s earlier work, such as the repugnant way in which he details the physical deterioration of aging women in The Possibility of an Island, the rotten spirit of Houellebecq’s first-person voice is still echoed in its words. It is clear at once that while Houellebecq’s writing style has matured, his opinion of women hasn’t evolved with it.

I should preface this by saying that I greatly admire what Houellebecq has done as a literary writer. Although his work is challenging at times and even infantile at others, I believe each of his books possess an inherent value. They offer us a reflection of modern man by holding a microscope up to all of his flaws.

Whether the POV of Houellebecq’s perpetually male protagonists are his own is irrelevant to me. It doesn’t matter because, at worst, he’s confessing his worst traits and, at best, he’s offering a commentary on the faults of [some] modern men.

What is particularly interesting about this commentary is the fact that Houellebecq has been exploring this subject since the advent of his career. In fact, I would argue that Houellebecq’s first book, the novella Whatever (originally published in French as Extension of the Area of Struggle), introduced the world to the incel.

For those who haven’t spent an exorbitant amount of time on Reddit, “incel” is an abbreviation of “involuntary celibate.” Self-proclaimed incels are members of an online culture that define themselves by the fact that they are unable to find a [willing] sexual partner or romantic companion despite desiring one.

You’ve likely come across some of these individuals on their YouTube channels or in their Reddit posts. They are usually very hostile towards the opposite sex and are prone to spouting misogynistic remarks or even threats on women’s lives that make it plain why women aren’t interested in them.

These are people who are so deluded that they fail to comprehend that their personalities are just as responsible for repelling the opposite sex as their physical appearance.

Incel-related forums are chock-a-block with posts about resentment, racism, sexism and entitlement, the kind of entitlement germane to white privilege. Which is why it is hardly shocking that the vast majority of incels are white heterosexual males.

Houellebecq’s 30-year old protagonist in Whatever is one such white hetero man, a sexless computer software employee whose uneventful life takes a turn for the worse (but no less banal) towards the end of the short but [bitter]sweet book.

Houellebecq’s narrator writes, “I’ve lived so little that I tend to imagine I’m not going to die; it seems improbable that human existence can be reduced to so little; one imagines, in spite of oneself, that sooner or later something is bound to happen. A big mistake.”

That big mistake almost occurs in the climax of the novella after the narrator, and his young and physically hideous charge strike out at a bar. But before this sequence of events plays out, we are treated to many philosophical ramblings and diatribes about the narrator’s inceldom.

At the start of the book, he attends an office Christmas party at which he lies down behind a colleague’s couch and watches one of his female co-workers dancing drunkenly. As he watches her shimmy about, he curses her as a dumb bitch among other colorful slurs.

The narrator’s hatred of women is rivaled only by his quiet self-loathing, a self-loathing that is textbook incel thinking. The pathetic dudes who make up the incel community all-too-often aim their outward discontent inward, channeling their resentment towards females into an insular emotional self-immolation.

When these feelings are left to ferment, we end up seeing one of two things: an eventual mental break in which the incel takes his frustration out on innocent people (think the tortured madman who mowed down 25 pedestrians in Toronto) or a move towards misguided communal empowerment (the Men’s Rights movement that continues to become more widespread and toxic as the days tick by).

Folks like the 4chan incels have gotten a lot of attention of late for their vitriolic chatroom rants, with online journalists wondering why are they so angry. The baseless reasons for this anger are well-documented in Houellebecq’s debut, to say nothing of later works like Platform and The Elementary Particles.

Houellebecq has long been obsessed with how, in his eyes, the sexual liberation of the Sixties ruined conditions for the beta male, but this obsession can be traced to its genesis in this excerpt from Whatever:

“…It’s a fact, I mused to myself, that in societies like ours sex truly represents a second system of differentiation, completely independent of money; and as a system of differentiation it functions just as mercilessly. The effects of these two systems are, furthermore, strictly equivalent. Just like unrestrained economic liberalism, and for similar reasons, sexual liberalism produces phenomena of absolute pauperization. Some men make love every day; others five or six times in their life, or never. Some make love with dozens of women; others with none…”

Of course, such heavy-handed political radicalism couldn’t carry an entire book, even one as lean as Whatever, which may explain why Houellebecq opted to pad out the sparse “plot” with vignettes written by the narrator himself, vignettes that are written from the perspective of barnyard animals.

It is in these interludes that we truly discover Houellebecq’s gifts for philosophical miserabilism and rapier wit. This is all well and good in the context of Houellebecq the author’s overall body of work, but here it does little to quell the overwhelming stench of chauvanistic extremity.

After all, real world incels aren’t as charmingly witty or harmlessly pretentious as Houellebecq’s protagonist. But they do share one thing in common with the narrator—the opaque way in which he articulates his emotions.

The narrator’s frustration with himself ultimately manifests in an even greater frustration with Tisserand, the hopelessly ugly male companion the narrator is forced to travel with for the purpose of training firms in how to use their company’s latest software upgrade.

Tisserand’s advances are rebuffed by an attractive woman at a pub. Moments later, she takes to the dancefloor with a fit young black man. It is then that the inebriated narrator reaches the end of his tether and decides that something must give.

He follows the attractive young woman to a beach where she is making out with the young black man. He then takes a knife from his glove compartment and hands it off to poor Tisserand,  goading him to go on a campaign of murder starting with the “slut” and the “nigger.”

Despite the foul language and consistent misanthropy that runs throughout the novel, this scene and its verbiage manages to hit the reader like a bludgeoning with a blunt object. The narrator could be forgiven, up until this point, for muttering about the not-quite-fairer sex and one could even feel a semblance of pity for his inertia, but this scene represents a turning point that casts everything that came before it, funny as much of it was, in an indigo blue light.

Fortunately for the attractive girl from the bar and her young lover, Tisserand doesn’t end up following the narrator’s grisly instructions, but what he does instead perfectly represents the behavior of the common contemporary incel.

We can take a little comfort in knowing that Houellebecq’s incel is safely confined to the page. Unfortunately, the same cannot be said for countless men who are roaming our world at this very moment.

Hipster War Vet Buys Back Penis from NYC Microbrewery

By Chandler Charrington

Jeremy Skiddish started off his day feeling good-humored and confident. It was this young war  veteran’s 29th birthday and he was happy to be back in Williamsburg with his buds. His girlfriend, Denise, had gifted him an ironic bow tie emblazoned with ironic images of Larry the Cable Guy.

Jeremy was wearing this bow tie proudly as he and his buddies filed into the Downy Pelican Pub on Bedford Ave. As they took their seats and dug into a plate of fried pickles, they had no way of knowing that the second most expensive IPA on the menu contained elements of the penis Jeremy had lost in Iraq.

In 2017, Mr. Skiddish was doing his second tour of Fallujah when an IED hit his platoon. Skiddish had recovered from the incident without any fatal injuries, but while in hospital, his penis and most of his testicles had to be amputated due to infection.

Skiddish, who had always thought of himself as a fancy boy and had aspirations to become a mezzo-soprano in a Brooklyn street choir, took the news in stride. For Jeremy, losing his dick and balls was better than losing the war on terror.

After his honorable discharge from the military, Jeremy returned home to Williamsburg and set about performing open mics with his newfound singing voice. The Downy Pelican was to be the fifth venue that Jeremy performed at and he decided to pre-game with his pals before taking the stage.

That was before Jeremy inquired about the contents of the $14 IPA he had ordered. When asked about the unique flavor profile of the pale ale, the microbrewery’s owner informed Mr. Skiddish that it was made from a blend of rare hops…and a phallus purchased from a VA hospital.

Jeremy made the connection at once.

“That’s my cock,” he was heard to exclaim.

The microbrewer explained that they regularly use exotic items to add flavor and personality to their signature pale ales.

Asked if the experience had colored his opinion of the Downy Pelican, Mr. Skiddish said, “Fuck yeah it has! They’re lit! I can’t wait to come back next week when they add their newest beer to the menu.”

Skiddish went on to say that the Downy Pelican had given him something that the military never had—the chance to suck his own dick.

The Weird on Television: 6 Weird Books That Should Be TV Shows

Weird fiction isn’t something that occurs exclusively on the fringes of the literary world. Consider Neil Gaiman’s Hugo and Nebula award-winning novel American Gods, which, as we all know, was adapted into a television series on the Stars network. There’s no denying the literary weirdness of American Gods, even if Gaiman isn’t quite as strange as the work many of his lesser-known, oddball colleagues such as Thomas Ligotti. China Mieville’s The City and The City also appeared as a television serial for BBC in April, 2018. Although I haven’t read the novel or watched the series, my sources tell me it’s a well-know weird classic (and that it isn’t very good, although I’d prefer to confirm this myself). As everyday life in the 21st century feels increasingly like weird fiction, its no wonder that mainstream audiences find themselves adaptable to entertainment firmly beyond the pale.

Although I prefer books to television, I’m entirely in favor of the weirdification of popular entertainment. That’s why I’ve compiled a list of 6 works of weird fiction that ought to be adapted to television. While television is well outside of my expertise, I’ve watched more than my share of it like any good American. I’ve included short attempts to rationalize my choices below. What would you add to or omit from this list? Let me know in the comments below!

Dhalgren by Samuel Delaney

Of course, why not begin with a sci-fi masterpiece? This novel is dark, strange, and meandering enough to make it a perfect fit for television. Delaney’s writing is also beautiful, and while a transfer to the screen inevitably entails a certain loss when it comes to language, no prose is better suited to a representation by strong imagery than the prose you’ll find in Dhalgren. Rich, melodious, and eerie, Delaney’s writing strives heroically to be visual. Why not add an explicitly visual dimension, then, to this unsettling dystopian nightmare? Delaney’s haunting novel is packed with a wide cast of colorful characters, a jumble of intertwined subplots, and a compelling aura of mystery surrounding the protagonist, making it an ideal candidate for adaptation to television.

2666 by Roberto Bolano

While we’re on the subject of huge, meandering novels, why not include Roberto Bolano’s critically-acclaimed 2666? While you’re likely to find this title in any mainstream bookstore, it’s certainly as weird as they come. What screams “television” more than the hunt for an elusive serial killer centered on a “heart of darkness” narrative located in a small Mexican town? The answer might be “a lot of things,” but as a devoted fan of the first season of HBO’s True Detectives, I see a ton of similar potential here. Again, we are faced with a daunting cast of characters, perspectives, and loosely connected plots; while this may seem discouraging from a production standpoint, I see an opportunity for the enterprise to spill over into multiple seasons. A looming, dark, Latin American counterpart of True Detectives? Count me in!

Songs of a Dead Dreamer and Grimscribe by Thomas Ligotti

“Come on, man. You must be kidding.” I know, I know; I can practically feel your protest, but just hear me out. While Ligotti’s short fiction seems hardly suitable for TV, imagine a resurrection of Twilight Zone based on these macabre little mind benders. True, Ligotti employs some literary mechanisms, like epistolary narratives, which would be hardly translatable to the screen, but imagine the kind of imagery the right director could glean from these stories! Think a black and white noir series mixed with slick CGI for scenes like the one in which the cosmic void opens in a dream within a dream before the psychoanalyst’s patient in “Dream of a Manikin.” I’d sure as hell watch it.

Gateways to Abomination by Matthew Bartlett

Speaking of choices that make no sense at first flush, let’s consider Gateways to Abomination. As a series of disconnected short stories and vignettes based around the town of Leeds and the occult WXXM radio station (apparently only available to listeners who stumble across it by accident), Matthew Bartlett’s stunning book may seem like a producer’s worst nightmare. To glean a unified story rather than a series of independent episodes a la Twilight Zone or Black Mirror, some rewriting might be necessary. Even so, the story of someone unsuspectedly stumbling across Leeds and into the kaleidoscopic nightmare world of Bartlett’s disturbing and vivid fiction is destined to be better TV than American Horror Story.

Mongrels by Stephen Graham Jones

As the teen werewolf and vampire craze, as represented by shows like The Originals and The Vampire Diaries, eventually dies, choking in the steaming viscera of insipid writing and overplayed tropes stolen from Anne Rice, someone needs to come sweeping in with a strong series that washes the sour aftertaste away. Stephen Graham Jones set out to do exactly that with Mongrels, and he should be duly honored by carrying his purgation boldly into the realm of television. Mongrels is a coming-of-age novel based on a family of werewolves sans the overwhelming cliché of trendy teens driving unrealistically nice cars. In short, Mongrels isn’t pretty, but it’s compelling enough to serve as an antidote to the whitewashed world of TV “horror” aimed at audiences more concerned with high school romance than the darker aspects of life.

Celebrity Terrorist Sex Bomb by Bob Freville

What is more TV-friendly than celebrity, sex, and terrorism? What about an unholy mashup of the three? I’ve told Bob before he needs to write a script for this, and I hope one day he does. If someone made it into a television series, that would be awesome as well. Celebrity Terrorist Sex Bomb is a weird and wonderful ménage a trois of violence, extremism, and biting cultural satire just waiting for a witty personality to bring it to life for the screen. Hilarious, irreverent, and exorbitantly colorful, there’s no doubt that this little book holds plenty of potential for an engaging series based on a female protagonist abducted and indoctrinated by Islamic terrorists only to be deployed as a WMD against the shallow culture of America’s rich and famous.

What do you think? What would you add? Am I way off base here? Do any directors or actors come to mind for the above adaptations? Let us know in the comments below!

-Justin A. Burnett